Pattie Gonia has built a global following by combining environmental advocacy with drag performance, bringing outdoor culture and inclusion into the same conversation. Her dispute with Patagonia has sparked questions far beyond trademark law. Drag queen and environmentalist Pattie Gonia wears a custom hiking themed outfit made of recycled materials by designer Anna Molinari during Mountainfilm documentary festival in Telluride, C.O., on Saturday May 25, 2024. (Photo by Sarah Silbiger for The Washington Post via Getty Images)
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Trust is built over years and tested in moments.
That is perhaps why a trademark dispute between outdoor clothing giant Patagonia and environmental activist and drag performer Pattie Gonia has generated so much attention far beyond the legal documents. On paper, this is a question of intellectual property. In reality, it has become a conversation about identity, allyship, culture and expectations.
Patagonia has spent decades building a reputation that extends beyond jackets and backpacks. It has become synonymous with environmental stewardship, activism and purpose-led business. Pattie Gonia, meanwhile, has grown from a clever piece of drag wordplay into a recognised advocate for environmental causes, using humour, creativity and visibility to engage new audiences with issues affecting the planet.
The overlap between those worlds is what makes this story so fascinating, and one that genuinely matters to me. Over many years, I have been fortunate to support LGBTQ+ organisations and causes, while also holding great respect for Patagonia as a business that has consistently sought to align commercial success with positive impact. That made me particularly interested in understanding how two parties with so much apparent common ground found themselves in conflict.
Dr Darren Styles OBE at the Attitude Awards Darren Styles OBE, owner and publisher of Attitude, the world’s largest LGBTQ+ media brand, believes the Patagonia-Pattie Gonia dispute is being viewed through a much wider lens of trust, representation and community sentiment. (Dr Darren Styles OBE attends the Attitude Pride Awards (Photo by David M. Benett/Dave Benett/Getty Images)
Dave Benett/Getty Images
To explore that, I spoke exclusively with Dr Darren Styles OBE, owner and publisher of Attitude, the world’s largest LGBTQ+ media brand.
What follows is not a debate about who is right or wrong. It is a conversation about perception, trust and the importance of understanding the wider context in which stories like this unfold.
Why has this resonated so deeply?
Before discussing legal arguments, I asked Darren what people outside the LGBTQ+ community might be missing.
“It’s such a sensitive time for the LGBTQ+ community,” he said. “A political narrative that punches down has become established in both the US and the UK, where it’s now OK to say out loud things that, five years ago, would have been unthinkable in what felt like a more enlightened age.
“Driven by Trump and his acolytes, big corporates including Meta and Google and much of the mainstream media are actively engaging in policies and processes that suppress, exclude and misinform.
“This feels like a big company in a sensitive space punching down on an individual, when – whatever the nature of the dispute – it feels like there were better outcomes available.”
Holding brands to their own standards
Some critics have suggested Patagonia should simply “zip it” and find common ground. Yet the company remains one of the world’s most respected purpose-led brands, making this dispute particularly complex for consumers and commentators alike. (Photo by Robert Alexander/Getty Images)
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Patagonia is not being judged in the same way many other corporations might be.
Darren believes that is partly because of the standards the company has set for itself.
“In part, for sure,” he said. “If a brand leans heavily into a moral code then – sooner or later – any action or inaction is going to be held to account against that standard.
“It’s further to fall when espousing one set of values and apparently living by another.
“It’s like Google’s scraping of intellectual property via AI while telling us all ‘don’t be evil’.”
He also pointed to a broader irony.
“But it’s also a strange look in the eyes of a layman when a brand is beating somebody up about the use of a name when the name has been co-opted from the region of a country in the first place…”
Trust, fairness and public perception
Much of the public reaction appears rooted less in trademark law and more in instinctive ideas of fairness.
“I think we all have an inherent sense of what’s fair,” Darren told me, “and your first reaction on seeing a big corporation getting into a stand-off with a drag queen over their name is that Goliath is going after David on the basis of a punchline.
“Britney Ferries, Vaseline Dion, Tia Kofi – there are literally hundreds of examples of wordplay in drag world that do no harm and I can’t see most companies getting themselves into hot water over it.”
He added:
“Especially if your starting point is a moral standard – it feels like a hammer to crack a nut that conflicts with a stated position. And that doesn’t feel fair.”
Can both sides have a point?
One of the most important questions in situations like this is whether opposing viewpoints can coexist.
Can a company have a legitimate obligation to protect its intellectual property while members of the LGBTQ+ community still feel disappointed by the manner in which that protection is pursued?
“Yes, possibly so,” Darren said.
“If parody crosses the line into passing off, for example, where there’s genuine potential for harm or detriment to a protected brand, then that brand is perfectly entitled to protect itself and call a halt to the fun.
“But goodness me, I’d suggest it feels a stretch to suggest there’s any real chance of anyone mistaking the actions of a drag queen called Pattie Gonia for the mouthpiece of a clothing brand.
“It feels like it would struggle to pass a reasonableness test.”
Why context matters
Parody, wordplay and cultural references have long been woven into drag culture. From local stages to global franchises such as RuPaul’s Drag Race, identity, humour and creative expression remain central to the community’s appeal. Jeff Perla, Vivacious and Ky Digregorio attend RuPaul’s Drag Race All Stars S11 Celebration in NYC on May 07, 2026 in New York City. (Photo by Santiago Felipe/Getty Images for Paramount+)
Getty Images for Paramount+
Drag culture has long relied on parody, wordplay and cultural references.
For Darren, that context is critical.
“Context is everything,” he explained.
“Spend even two minutes looking into the world of drag and the nature of reading someone or something, or throwing shade, becomes crystal clear.
“Imagine writing down the rantings of Lily Savage and trying to analyse that in a boardroom setting.
“Irony written down can look and sound like the rudest thing you’ve ever heard, but the reality in context is something else entirely.”
The challenge for Patagonia
As Ferrari navigates debate surrounding its electric future, Darren Styles OBE notes that modern brands are increasingly judged not only by what they make, but by how their decisions align with public expectations and values
Dr Darren Styles
One reason this story has attracted attention beyond LGBTQ+ circles is Patagonia’s long-standing reputation as a values-led organisation.
“I think it does,” Darren said when asked whether that history raises the emotional stakes.
“It feels like an over-reaction coming in like a side-winder missile from an unexpected flank where you’d believed allyship lay.
“And someone in comms is not handling this at all well.
“It’s all got a bit ‘he-said, she-said’ when calmer heads might have taken this outside and turned down the temperature.
“There may well be wrong on both sides, but when the smaller party without the big guns is painting you as the bad guy in the court of public opinion you have to wonder how that was allowed to happen.”
What commentators should remember
One point Darren was keen to stress is that none of us have access to every conversation that has taken place behind closed doors.
“We don’t know what we don’t know,” he said.
“Whenever one of our news writers brings a story of this kind to my desk my first question is always ‘and what did the other side say when you asked them?’
“But on the basis of what we’ve seen so far, from both sides, it seems so utterly avoidable.”
In an age where headlines often become verdicts, there remains a difference between what has been reported publicly and everything that may have happened privately.
Pride Month and public sentiment
The timing has undoubtedly amplified the reaction.
“The community feels threatened, is threatened, by a hardened, right-wing narrative that is driving an increase in hate crime, bullying and the isolation of our trans brothers and sisters,” Darren said.
“Disdain is becoming ordinary, encouraged even.
“And then Pride month starts Monday, when we are supposed to be celebrating diversity and inclusion.
“Instead a drag queen’s identity is being challenged as a corporate threat. Make it make sense. Is there a better outcome?”
As our conversation turned towards what a resolution might look like, it moved into territory I often find myself discussing with brands. Not the legal position. The human one.
“First, put the weapons down,” Darren said.
“Find a sensible way to mediate.
“Any legal victory will likely be a pyrrhic one anyway.
“If a drag queen’s range of merch is deemed such a threat then work together on it, have some fun, raise some money for a charity or cause.
“Be you Pattie Gonia or Patagonia it seems there’s more that unites them than divides them in terms of outlook and the desire to do good, to make the world a better place.
“Find some middle ground.
“Imagine turning the publicity value into demand for a Pattie Gonia x Patagonia capsule charity collection right now.”
When life gives you lemons, etc.
A question of trust
Whether this dispute ultimately ends in a courtroom, a settlement or a compromise, the broader lesson may be less about trademarks than relationships.
Brands today are judged not only on what they do, but on how they do it. Consumers increasingly assess actions through the lens of values, consistency and trust.
Patagonia’s reputation has been built on standing for something larger than commerce. Pattie Gonia’s following has been built on using creativity and advocacy to engage people who might otherwise never enter environmental conversations.
Perhaps that is why this story feels so unusual.
What remains is a question that sits at the heart of many modern corporate disputes.
Not who can win. But what might be lost.
For Pattie Gonia, Darren believes the stakes are obvious. An identity, a platform and years of advocacy have become intertwined with a name recognised around the world.
For Patagonia, the answer is less clear. The company is entitled to protect its intellectual property. Every business must safeguard the assets it has spent decades building. Yet brands are no longer judged solely by legal rights. They are judged by judgement itself.
Consumers increasingly evaluate not only whether an organisation can do something, but whether it should.
The strongest brands understand that trust is built in the space between policy and perception. Between legal correctness and human understanding.
Perhaps that is why this story has captured so much attention. It brings together two parties who, on the surface, appear to share remarkably similar ambitions around environmental advocacy, community and positive change.
There may ultimately be legal winners and losers.
The more enduring question is whether either side benefits if trust becomes collateral damage.
Because in an era where trust is increasingly scarce, protecting it may prove more valuable than protecting almost anything else.

