When Ben Richardson acquired the RSS.com domain in 2013, he wasn’t thinking about podcasting at all. He was trying to save RSS feed readers after Google Reader shut down. But over time, something became clear: podcast listeners (and hosts!) kept asking questions about RSS feeds.
That observation led to a partnership with Alberto Betella, who had spent years building Podcast Generator, an open-source podcasting platform. Together, Ben and Alberto launched RSS.com in January 2018 with a core belief: podcasting should remain open, accessible, and free from any single gatekeeper.
According to Sounds Profitable, YouTube acts as the access point for about one-third of all podcast interactions. That’s good news and bad news. The positive spin is that podcasts are available in a medium that hundreds of millions of people use every day as part of their routine. The downside is that podcasters now have an overlord controlling the interface where their podcasts are accessed.
By contrast, that’s where the RSS feed comes in, as it’s a powerful technology that makes podcasting truly independent. The RSS feed is the backbone of podcasting.
On May 18, 2026, RSS.Com published a report that incorporates the latest data from Edison Research’s Infinite Dial 2025, Edison Research’s Podcast Consumer Report, Triton Digital’s 2024 US Report, Inside Radio, Radio Ink, and comprehensive studies from Statista and the IAB.
Here are the highlights of that analysis.
Podcasts have turned from a niche curiosity into a global habit.
An estimated 584 million people tune in to podcasts each month, with U.S. listenership exceeding 158 million – that’s over half of Americans aged 12+. Podcasting has become an audio entertainment juggernaut, valued at nearly $40 billion worldwide.
RSS.Com compiled the industry latest research from Edison Research, Triton Digital, Statista, and also recently surveyed 195 independent podcasters about how they’re growing, monetizing, and producing their shows. You can read the full Podcaster Insights Survey here for a creator-side view of the trends below.
The data is clear: podcasting is still exploding. 73% of Americans age 12+ have consumed a podcast (listened to and/or watched), and globally, 584.1 million people are tuning in to podcasts.
Over 70% of podcast listeners finish most or all of each episode, and 46% tune in within 24 hours of its release.
Ear worthy
But here’s what’s really impressive: 55% of Americans are now monthly podcast consumers, meaning more than half the population regularly listens to shows. This represents the first time monthly consumption has reached the majority of adults in the US.
Greg Wasserman, Head Of Relationships at RSS.Com, notes, “This matters for creators because it means they’re no longer competing for early adopters. They’re creating content for a mainstream audience that expects quality, consistency, and value.”
According to the report, average listeners spend about 7 hours per week listening to podcasts, 66% of listeners aged 12 to 34 years are consuming podcasts monthly, and listeners typically subscribe to multiple shows, creating opportunities for cross-promotion
There are changes in podcast access points. While Apple Podcasts dominated for years, YouTube now ranks as the preferred platform for monthly podcast listeners in the US, followed by Spotify and then Apple Podcasts.
Here’s the platform breakdown by usage according to Edison Research’s Infinite Dial Report:
- YouTube: 33% of weekly listeners
- Spotify: 26%
- Apple Podcasts: 14%
- Device preferences remain mobile-first:Apple iPhone accounts for more than 60% of podcast listening.
- Over 90% of podcast listening happens on mobile devices
- Based on comprehensive download data from Triton Digital’s 2024 report, here are the top-performing genres:
- News: 25% of downloads
- True Crime: 19% of downloads
- Comedy: 13% of downloads
- Society & Culture: 9% of downloads
- Sports: 7% of downloads
Audience demographics by genre:
- True Crime: 67% female audience
- Comedy: 61% male audience
- News: 56% male audience
Greg Wasserman notes good news for independent, niche podcasters.
“There’s significant opportunity in smaller niches too. In fact, smaller categories are collectively driving significant revenue. Underserved niches are prime spaces where you can build a dedicated audience. “
A global marketplace for podcasts
While the U.S. market is mature, global expansion offers significant opportunities. By 2027, worldwide podcast listeners are projected to hit 651.7 million.
SYDNEY, AUSTRALIA – OCTOBER 16: Allegra Spender speaks during a live podcast recording with Osher Günsberg at SXSW Sydney on October 16, 2024 in Sydney, Australia. (Photo by Nina Franova/Getty Images for SXSW Sydney)
Getty Images for SXSW Sydney
Emerging markets showing strong growth:
- 53% of South Korean adults now listen to podcasts monthly
- Sweden and the United States tie globally with 35% of adults as regular listeners
- 27% of Australians tune in monthly, but more than 90% of Australians have at least heard of podcasts
Based on these industry trends, the report recommends key strategic moves for podcasters in 2026:
Embrace the video opportunity
With YouTube dominating discovery and video consumption growing rapidly, creating video versions of your content (in some capacity!) isn’t optional anymore. It’s essential for growth.
Focus on consistency over perfection
The average podcast becomes inactive after 21 episodes. Building a sustainable production workflow matters more than having perfect episodes.
Optimize for discovery
With 30% of listeners finding podcasts through internet search, invest in SEO-optimized titles, descriptions, and transcriptions.
Think beyond traditional monetization
While advertising revenue is strong, explore direct listener support, premium content, and emerging models like Bitcoin payments through Value 4 Value.
Plan for global reach
With international growth outpacing US growth, consider how your content might resonate with global audiences.
The Bottom Line
Greg Wasserman interprets the report findings and advises: “Podcasting in 2026 offers unprecedented opportunities for creators willing to adapt to changing listener behaviors and platform preferences. The industry has moved far beyond its hobbyist roots to become a legitimate media powerhouse with multiple paths to audience growth and monetization. Success requires understanding your audience, maintaining consistency, and leveraging the right tools to distribute and promote your content effectively. The data shows that engaged audiences are waiting. The question is whether you’re ready to serve them.”
This report, while replete with valuable data, reinforces much of what we already know. While the party streamers and confetti should be released to celebrate podcasting’s growth, there are serious questions to be addressed in the future about the two-tier structure that is burgeoning in podcasting.
The Better Call Daddy Podcast, hosted by former television producer Reena Friedman Watts and her father, Wayne, interviews interesting people whose stories haven’t been widely told—ranging from influential entrepreneurs and reality stars to phone sex workers and cult survivors. At the end of each episode, she shares the guest’s story with her father, who weighs in with his own life lessons, wisdom, and wit.
Better Call Daddy
Sure, due to video podcasting, YouTube, warm hugs from streaming services hoping to attract more subscribers, and an incestuous culture of celebrity podcasters, podcasting is ascendant.
But, as this report points out – smaller categories are collectively driving significant revenue, and underserved niches are prime spaces where you can build a dedicated audience – independent podcasts must have the financial, creative, and access options to breathe and serve that audience, otherwise, as Tony Soprano would point out, “They could be swimming with the fishes.”
Without the tens of thousands of independent podcasters producing shows on everything from sewing, parental wisdom, the history of beverages, the daily lives of construction workers, and abandoned cats in Brooklyn, NY, podcasts could easily morph into TV shows with lower budgets.